Materials · Compare
Compare metals side by side
Choose two to four metals. The finish you see is decided on a physical sample, so ask for one before you decide.
Swipe sideways to see every metal.
 |  |  |  | |
|---|---|---|---|---|
| Character | Soft, ductile, and never quite finished changing. | Light, dimensionally stable, and quietly practical. | Dense, quiet, and expensive-looking without trying. | Muted, matt, and comfortable being grey. |
| How it looks | Bright pink-orange when new, moving through browns to deep near-black, or driven deliberately to green and blue verdigris. | Naturally light grey and matt. | Deep brown-gold through to near-black, matt or satin more often than bright. | Soft matt grey, developing a subtle mottled surface over time. |
| Where we use it |
|
|
|
|
| Outdoors | One of the classic exterior metals. | Very well suited to external use, which is a large part of why it is specified for facades and louvres. | Used externally on cladding and soffits. | A traditional exterior cladding metal. |
| Finishes | 11: mirror, brushed & satin, hammered, hand-beaten, embossed, special texture, special effects, antique… | 5: hairline, brushed & satin, cast & relief, pvd & coatings, ombre | 7: mirror, brushed & satin, hammered, cast & relief, antique, patina, smoky effect | 2: brushed & satin, patina |
| In short | The most workable metal on the floor and the most unpredictable in service — which is exactly why it is used where character matters more than uniformity. | The metal that solves problems of weight and span. | Where brass is warm and copper is bright, bronze is deep. | The quietest metal we work with. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
Start a project
Have something extraordinary in mind?
Send a drawing, a sketch, or a photograph of something close to it. We will tell you what is buildable, what it costs and how long it takes.