Compare
Compare metals side by side
Choose two to four metals. The finish you see is decided on a physical sample, so ask for one before you decide.
Swipe sideways to see every metal.
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| Character | Strong, direct, unapologetically structural. | Muted, matt, and comfortable being grey. | Soft, ductile, and never quite finished changing. | Light, dimensionally stable, and quietly practical. |
| How it looks | Matt grey raw; most often blackened, painted or powder-coated. | Soft matt grey, developing a subtle mottled surface over time. | Bright pink-orange when new, moving through browns to deep near-black, or driven deliberately to green and blue verdigris. | Naturally light grey and matt. |
| Where we use it |
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| Outdoors | Used externally throughout, always with a coating system appropriate to the exposure. | A traditional exterior cladding metal. | One of the classic exterior metals. | Very well suited to external use, which is a large part of why it is specified for facades and louvres. |
| Finishes | 3: brushed & satin, special texture, distressed | 2: brushed & satin, patina | 11: mirror, brushed & satin, hammered, hand-beaten, embossed, special texture, special effects, antique… | 4: hairline, brushed & satin, cast & relief, ombre |
| In short | The metal behind the metal. | The quietest metal we work with. | The most workable metal on the floor and the most unpredictable in service — which is exactly why it is used where character matters more than uniformity. | The metal that solves problems of weight and span. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
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