Compare
Compare metals side by side
Choose two to four metals. The finish you see is decided on a physical sample, so ask for one before you decide.
Swipe sideways to see every metal.
 |  |  |  | |
|---|---|---|---|---|
| Character | Soft, ductile, and never quite finished changing. | Dense, quiet, and expensive-looking without trying. | Strong, direct, unapologetically structural. | Muted, matt, and comfortable being grey. |
| How it looks | Bright pink-orange when new, moving through browns to deep near-black, or driven deliberately to green and blue verdigris. | Deep brown-gold through to near-black, matt or satin more often than bright. | Matt grey raw; most often blackened, painted or powder-coated. | Soft matt grey, developing a subtle mottled surface over time. |
| Where we use it |
|
|
|
|
| Outdoors | One of the classic exterior metals. | Used externally on cladding and soffits. | Used externally throughout, always with a coating system appropriate to the exposure. | A traditional exterior cladding metal. |
| Finishes | 11: mirror, brushed & satin, hammered, hand-beaten, embossed, special texture, special effects, antique… | 7: mirror, brushed & satin, hammered, cast & relief, antique, patina, smoky effect | 3: brushed & satin, special texture, distressed | 2: brushed & satin, patina |
| In short | The most workable metal on the floor and the most unpredictable in service — which is exactly why it is used where character matters more than uniformity. | Where brass is warm and copper is bright, bronze is deep. | The metal behind the metal. | The quietest metal we work with. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
Start a project
Have something extraordinary in mind?
Send a drawing, a sketch, or a photograph of something close to it. We will tell you what is buildable, what it costs and how long it takes.