Finishes · Compare
Compare finishes side by side
Choose two to four finishes. A finish is always approved on a physical sample of your metal, so ask for samples of the ones you like.
Swipe sideways to see every finish.
 |  |  |  | |
|---|---|---|---|---|
| Family | Patinated | Coated | Patinated | Textured |
| How it looks | Green, deep blue, algae, deep red, burnished, rustic, deep white and a range of blacks — colour grown in the metal, not painted on. | One tone fading into another across a panel — brass into bronze, gold into gun metal, warm into dark — graded by hand so that the transition has no step. | Chemically aged and then selectively relieved, so highlights and recesses read differently — antique brass, oxidised bronze, darkened copper — with the character of a piece that has already had a life. | Surfaces worked or grown to a tactile grain — crystalline, mottled, stony, or crazed like old glaze — that catches side light and changes as the light moves. |
| Metals | Copper, brass, bronze, zinc | Stainless steel, brass, aluminium | Brass, copper, bronze | Brass, copper, stainless steel, mild steel |
| Where it suits | Indoors and outdoors | Indoors | Indoors | Indoors |
| Worth knowing | A living finish. | A gradient that runs across several panels is set out as one drawing and graded as one batch, so that it continues across the joints. | A living finish: it will keep ageing, and the places people touch will develop their own highlights. | Deep textures collect dirt and grease, so they belong away from kitchens, counters and the outdoors. |
| Looking after it | Nothing abrasive, ever. | Wipe with a soft damp cloth. | Dust only, or a barely damp cloth. | Dust with a soft brush and wipe; a deep grain holds what a flat surface would shed. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
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