Finishes · Compare
Compare finishes side by side
Choose two to four finishes. A finish is always approved on a physical sample of your metal, so ask for samples of the ones you like.
Swipe sideways to see every finish.
 |  |  |  | |
|---|---|---|---|---|
| Family | Textured | Textured | Coated | Cast |
| How it looks | Raised pattern pressed into the sheet, from geometric repeats to bespoke ornamental artwork. | Surfaces worked or grown to a tactile grain — crystalline, mottled, stony, or crazed like old glaze — that catches side light and changes as the light moves. | Brass, gold, champagne, rose gold, copper, bronze, gun metal, black nickel and antique brass tones, plus oxidised and custom colour coatings — the way to put a warm metal’s colour on stainless steel. | Deep three-dimensional panels and medallions cast from a pattern, then hand-finished. |
| Metals | Brass, copper, stainless steel | Brass, copper, stainless steel, mild steel | Stainless steel | Brass, bronze, aluminium |
| Where it suits | Indoors and outdoors | Indoors | Indoors and outdoors | Indoors and outdoors |
| Worth knowing | The pattern repeats at the size of the tool, so a very large field shows the repeat. | Deep textures collect dirt and grease, so they belong away from kitchens, counters and the outdoors. | A scratch through a PVD or coated surface is through the colour, and it cannot be touched up invisibly — the panel is refinished or replaced. | A pattern has to be made before anything is cast, so a one-off medallion carries the cost of its tooling. |
| Looking after it | Dust settles in the recesses; a soft brush clears it. | Dust with a soft brush and wipe; a deep grain holds what a flat surface would shed. | Mild soap and water, soft cloth, nothing abrasive and no strong cleaners — the colour is a thin layer and is kept by not attacking it. | A soft brush for the relief, a damp cloth for the face. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
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