Finishes · Compare
Compare finishes side by side
Choose two to four finishes. A finish is always approved on a physical sample of your metal, so ask for samples of the ones you like.
Swipe sideways to see every finish.
 |  |  |  | |
|---|---|---|---|---|
| Family | Patinated | Textured | Cast | Patinated |
| How it looks | Chemically aged and then selectively relieved, so highlights and recesses read differently — antique brass, oxidised bronze, darkened copper — with the character of a piece that has already had a life. | Surfaces worked or grown to a tactile grain — crystalline, mottled, stony, or crazed like old glaze — that catches side light and changes as the light moves. | Deep three-dimensional panels and medallions cast from a pattern, then hand-finished. | A surface deliberately aged — mottled, darkened and worn back in places — so that new metal reads as if it has been in the building for decades. |
| Metals | Brass, copper, bronze | Brass, copper, stainless steel, mild steel | Brass, bronze, aluminium | Brass, copper, mild steel |
| Where it suits | Indoors | Indoors | Indoors and outdoors | Indoors |
| Worth knowing | A living finish: it will keep ageing, and the places people touch will develop their own highlights. | Deep textures collect dirt and grease, so they belong away from kitchens, counters and the outdoors. | A pattern has to be made before anything is cast, so a one-off medallion carries the cost of its tooling. | No two panels are the same, which is the point. |
| Looking after it | Dust only, or a barely damp cloth. | Dust with a soft brush and wipe; a deep grain holds what a flat surface would shed. | A soft brush for the relief, a damp cloth for the face. | Wax or a clear coat holds the effect; dust it, and wipe with a damp cloth. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
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