Finishes · Compare
Compare finishes side by side
Choose two to four finishes. A finish is always approved on a physical sample of your metal, so ask for samples of the ones you like.
Swipe sideways to see every finish.
 |  |  |  | |
|---|---|---|---|---|
| Family | Patinated | Coated | Polished | Cast |
| How it looks | Chemically aged and then selectively relieved, so highlights and recesses read differently — antique brass, oxidised bronze, darkened copper — with the character of a piece that has already had a life. | Brass, gold, champagne, rose gold, copper, bronze, gun metal, black nickel and antique brass tones, plus oxidised and custom colour coatings — the way to put a warm metal’s colour on stainless steel. | A fine unidirectional grain. | Deep three-dimensional panels and medallions cast from a pattern, then hand-finished. |
| Metals | Brass, copper, bronze | Stainless steel | Stainless steel, brass, aluminium | Brass, bronze, aluminium |
| Where it suits | Indoors | Indoors and outdoors | Indoors and outdoors | Indoors and outdoors |
| Worth knowing | A living finish: it will keep ageing, and the places people touch will develop their own highlights. | A scratch through a PVD or coated surface is through the colour, and it cannot be touched up invisibly — the panel is refinished or replaced. | A scratch across the grain is visible from a distance. | A pattern has to be made before anything is cast, so a one-off medallion carries the cost of its tooling. |
| Looking after it | Dust only, or a barely damp cloth. | Mild soap and water, soft cloth, nothing abrasive and no strong cleaners — the colour is a thin layer and is kept by not attacking it. | Wipe along the grain, never across it, with a mild detergent and a soft cloth. | A soft brush for the relief, a damp cloth for the face. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
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