Finishes · Compare
Compare finishes side by side
Choose two to four finishes. A finish is always approved on a physical sample of your metal, so ask for samples of the ones you like.
Swipe sideways to see every finish.
 |  |  |  | |
|---|---|---|---|---|
| Family | Textured | Patinated | Patinated | Cast |
| How it looks | Brushed swirls, directional grains and figured patterns worked into the sheet by hand and by machine — a finish that appears to move as you walk past it, because the grain catches light from one direction and not another. | Chemically aged and then selectively relieved, so highlights and recesses read differently — antique brass, oxidised bronze, darkened copper — with the character of a piece that has already had a life. | Green, deep blue, algae, deep red, burnished, rustic, deep white and a range of blacks — colour grown in the metal, not painted on. | Deep three-dimensional panels and medallions cast from a pattern, then hand-finished. |
| Metals | Brass, copper, stainless steel | Brass, copper, bronze | Copper, brass, bronze, zinc | Brass, bronze, aluminium |
| Where it suits | Indoors | Indoors | Indoors and outdoors | Indoors and outdoors |
| Worth knowing | The pattern is set by the sheet, so the layout of panels is decided with the pattern — a swirl cut through by a joint reads as a mistake. | A living finish: it will keep ageing, and the places people touch will develop their own highlights. | A living finish. | A pattern has to be made before anything is cast, so a one-off medallion carries the cost of its tooling. |
| Looking after it | Wipe along the grain, never across it, with a soft cloth. | Dust only, or a barely damp cloth. | Nothing abrasive, ever. | A soft brush for the relief, a damp cloth for the face. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
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