Finishes · Compare
Compare finishes side by side
Choose two to four finishes. A finish is always approved on a physical sample of your metal, so ask for samples of the ones you like.
Swipe sideways to see every finish.
 |  |  |  | |
|---|---|---|---|---|
| Family | Coated | Textured | Textured | Textured |
| How it looks | One tone fading into another across a panel — brass into bronze, gold into gun metal, warm into dark — graded by hand so that the transition has no step. | Raised pattern pressed into the sheet, from geometric repeats to bespoke ornamental artwork. | Formed entirely by hand. | Brushed swirls, directional grains and figured patterns worked into the sheet by hand and by machine — a finish that appears to move as you walk past it, because the grain catches light from one direction and not another. |
| Metals | Stainless steel, brass, aluminium | Brass, copper, stainless steel | Brass, copper | Brass, copper, stainless steel |
| Where it suits | Indoors | Indoors and outdoors | Indoors and outdoors | Indoors |
| Worth knowing | A gradient that runs across several panels is set out as one drawing and graded as one batch, so that it continues across the joints. | The pattern repeats at the size of the tool, so a very large field shows the repeat. | No two panels are the same, and that is the reason to choose it — a sample approves a character and a range, not a match. | The pattern is set by the sheet, so the layout of panels is decided with the pattern — a swirl cut through by a joint reads as a mistake. |
| Looking after it | Wipe with a soft damp cloth. | Dust settles in the recesses; a soft brush clears it. | As for hammered: a soft brush, a damp cloth, nothing abrasive. | Wipe along the grain, never across it, with a soft cloth. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
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