Finishes · Compare
Compare finishes side by side
Choose two to four finishes. A finish is always approved on a physical sample of your metal, so ask for samples of the ones you like.
Swipe sideways to see every finish.
 |  |  |  | |
|---|---|---|---|---|
| Family | Textured | Textured | Coated | Patinated |
| How it looks | Formed entirely by hand. | Raised pattern pressed into the sheet, from geometric repeats to bespoke ornamental artwork. | One tone fading into another across a panel — brass into bronze, gold into gun metal, warm into dark — graded by hand so that the transition has no step. | Chemically aged and then selectively relieved, so highlights and recesses read differently — antique brass, oxidised bronze, darkened copper — with the character of a piece that has already had a life. |
| Metals | Brass, copper | Brass, copper, stainless steel | Stainless steel, brass, aluminium | Brass, copper, bronze |
| Where it suits | Indoors and outdoors | Indoors and outdoors | Indoors | Indoors |
| Worth knowing | No two panels are the same, and that is the reason to choose it — a sample approves a character and a range, not a match. | The pattern repeats at the size of the tool, so a very large field shows the repeat. | A gradient that runs across several panels is set out as one drawing and graded as one batch, so that it continues across the joints. | A living finish: it will keep ageing, and the places people touch will develop their own highlights. |
| Looking after it | As for hammered: a soft brush, a damp cloth, nothing abrasive. | Dust settles in the recesses; a soft brush clears it. | Wipe with a soft damp cloth. | Dust only, or a barely damp cloth. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
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