Finishes · Compare
Compare finishes side by side
Choose two to four finishes. A finish is always approved on a physical sample of your metal, so ask for samples of the ones you like.
Swipe sideways to see every finish.
 |  |  |  | |
|---|---|---|---|---|
| Family | Patinated | Polished | Coated | Cast |
| How it looks | Chemically aged and then selectively relieved, so highlights and recesses read differently — antique brass, oxidised bronze, darkened copper — with the character of a piece that has already had a life. | Softer and more open than hairline, with a matt reflection that sits comfortably beside stone and timber. | One tone fading into another across a panel — brass into bronze, gold into gun metal, warm into dark — graded by hand so that the transition has no step. | Deep three-dimensional panels and medallions cast from a pattern, then hand-finished. |
| Metals | Brass, copper, bronze | All metals | Stainless steel, brass, aluminium | Brass, bronze, aluminium |
| Where it suits | Indoors | Indoors and outdoors | Indoors | Indoors and outdoors |
| Worth knowing | A living finish: it will keep ageing, and the places people touch will develop their own highlights. | Small repairs blend better than on hairline but a damaged area is still re-brushed across the whole face. | A gradient that runs across several panels is set out as one drawing and graded as one batch, so that it continues across the joints. | A pattern has to be made before anything is cast, so a one-off medallion carries the cost of its tooling. |
| Looking after it | Dust only, or a barely damp cloth. | Along the grain, mild detergent, soft cloth. | Wipe with a soft damp cloth. | A soft brush for the relief, a damp cloth for the face. |
| Next step | Ask for a sample | Ask for a sample | Ask for a sample | Ask for a sample |
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